Christoph Fahle
October 24, 2011

Member of the Week: Trial&Error

Ein Interview mit Trial&Error Mitglied Judith hat nichts mit einem gewöhnlichen Interview zutun. Diese Frau sprüht vor Ideen und der Lust, diese mit Jedermann und -frau zu teilen. Bei selbstgemachtem Gemüse Aufstrich und süßesten Mangos legt sie los.

Wer und was ist Trial&Error?

Das kann man gar nicht konkret definieren. Im Mittelpunkt unserer Gemeinschaft stehen die Werte: Teilen, Empowering People und Netzwerken.  Wir bieten eine Plattform für D.I.Y.(Do it yourself) Kultur in Berlin. Wir zeigen den Menschen: wenn du Dinge tust, kannst du etwas erreichen und Deine Mitmenschen begeistern. Wir fokussieren uns auf alternative Lebensweisen und suchen nach Ansätzen für ein alternatives Wirtschaftssystem.

Wie kam es zur Gründung von  Trial&Error?

Es begann mit einem Wunsch: wir alle könnten in einer anderen Gesellschaft leben, wenn wir etwas verändern. Kurzerhand haben wir einen Verein gegründet und Aktionen gestartet. Am 3. Oktober 2011 haben wir unser erstes Upcyclehandbuch gelaunched - es ist eine Bedienungsanleitung für D.I.Y. Projekte - einfach verständlich für jeden.

Wie macht ihr auf euch aufmerksam?

Auf unserem Blog posten wir Infos zu unseren aktuellen Projekten. Ausserdem kann man dort unser Manifest nachlesen. Natürlich sind wir auch auf Facebook zu finden. Außerdem  fahren wir mit einem „Kiez Mobil“ durch Berlin und versuchen mit den Leuten ins Gespräch zu kommen. Oft bieten wir Strassenaktionen für Kinder (und Erwachsene) an.

Was habt ihr in der Zukunft vor?

Wir wollen das Trial&Error wächst! Wir wollen demokratische, open source Projekte anstossen und einen Diskurs zum Thema D.I.Y. Kultur und nachhaltiges Wirtschaften anstossen.

Wie seid ihr zum betahaus gekommen?

Schon seit Anfang unseres upcycling Projects haben wir eng mit der Open Design City (das ist der Kreativteil des betahaus) zusammen gearbeitet. Wir netzwerken mit betahaus|membern und bieten dem nächst auch Workshops im Haus an.  Einige von Euch haben uns vielleicht beim People in Beta Festival in Aktion erlebt.

Das betahaus is toll für uns, da wir hier eine Plattform gefunden haben, um unsere Projekte weiter zu entwickeln. Wir geniessen die Atmosphäre sehr und das beste: es gibt richtige Werkzeuge in der Open Design City!

Noch ein Aufruf an die betahaus | Member and friends:  jeden ersten Donnerstag im Monat treffen wir uns zum „trash of the month“,  jedes Mal unter einem anderen  Motto. Please join us! More infos...

Das Interview führte Henriette Krupke

CloudMade (United Kingdom)

With 6 locations globally, CloudMade leverages cutting edge artificial intelligence to revolutionise the automotive industry. Their focus is on processing data to optimise and personalise the driving experience of the future. 

High-Mobility (Germany)

High-Mobility builds a data platform for applications working with personalised car data. Users can test their applications in a simulation environment, and get verified to access data from multiple car makers using a standardised connected car API.

Kiwi Last Mile (Spain)

Using a new multi-modal delivery platform, Kiwi offers an efficient, profitable and sustainable last mile delivery solution. Kiwi operates its own fleet, basing its operations in a new ‘cellular delivery model’. It has dubbed itself the ‘future of the last mile’! (Germany)

BRIVE reduces fleet and vehicle costs by rewarding good driving behavior. Better driving translates into savings on fleet costs and higher salary bonuses for drivers. It already comes with a BRIVE credit card!

German Autolabs (Germany)

The Automotive Voice Assistance platform from German Autolabs is a customisable conversational assistance solution for mobility. German Autolabs leverages deep domain knowledge; bypassing lengthy development cycles to build groundbreaking voice products.

Autofleet (Israel)

The Autofleet platform enables the transformation of fleet managers to vehicle-as-a-service providers. It innovates fleet management, using machine learning to predict demand, price dynamically, automate in-/de-fleeting, and optimise demand-supply matching in real-time.

Neohelden (Germany)

Neohelden is developing a digital AI-assistant for enterprise use-cases. You can think of it as Alexa, but for business. Users can customise the Neo platform intuitively via Drag & Drop, to tailor the AI-assistant to any possible needs.

Parkbob (Austria)

Parkbob organises the world's parking related data, and transforms it into actionable information for better mobility decisions. By creating a dynamic demand prediction model, it provides customers with an end to end solution that increases fleet utilisation and revenue.

VISCOPIC (Germany)

VISCOPIC leads in 3D data processing and worker guidance solutions, focusing on 3D sensing technology and augmented reality. It aims to guide companies into the future by showing them what technologies they need in order to be optimally efficient and productive.

Transmetrics (Bulgaria)

Transmetrics delivers predictive optimisation software for the logistics industry. Designed for express, parcel, pallet, and groupage businesses, the AI-driven software forecasts customer demand to calculate the most efficient linehaul plan for the entire transport network.

Have any of these brilliant ideas made you curious about the challenge? Follow us on LinkedIn for updates on the competition!

To be honest, I sort of fell into it. I was always working somewhere between content marketing and the music industry and around seven years ago a friend of a friend was searching for someone to help him curating music for his boutique surf spot on the beach in Costa Rica. The owner was a big music fan, but he just didn't have time to keep all the music up-to-date. So I got introduced to him, we shared similar tastes, and agreed that I would do the music for his space - curating it and updating it with new music on a regular basis.

This for me was a dream come true. I could finally work with music all day, and at the same time, I could help create an awesome experience for the guests. I saw people's reactions when they heard a song they liked. I saw them dancing, getting a little closer to each other at the bar and that for me was really rewarding.

This was the moment when I realized that there is something special about this idea and I got interested if there is actually market out there. I did some market research, and a lot of interviews with different hoteliers people in the industry trying to get more feedback. And the idea started growing more and more. 

People in beta Clay Bassford Bespoke Sound

Interesting is the story of the last years winner in the category “Creative”. Hamburg based headraft literally took music experience to the next level by creating the world’s first AR Music Video for the German band “die Fantastischen Vier”. Designed for their song “Tunnel”, the cited app unfolds a virtual story world once the track starts playing, giving fans the opportunity to go on an interactive journey with the band rather than being a passive viewer. 

Applications are now open! Finalists will be awaited by a curious jury of five leading industry experts. Among others, Kathleen Cohen who was already taking part in the first year will be in the panel of judges again. With a 25-year multiplatform career history under her belt, she is one of the most regarded in the field. As a digital experience expert, she has successfully implemented projects for DreamWorks Interactive and IBM Innovation, to name a few.

Needless to say, the yearly AUREA Award is definitely the place to be. Apply and become a member of the community bringing together all the promising products and solutions in the AR/VR sector.

Photo by AUREA Award


Well, both. Currently we offer the following two options: shorter publicly available Brand Playlists and long-form private Soundtracks for spaces. For both of them we work closely with the client to understand how sound fits into their brand DNA and what their audience is like.

We believe that the guests’ experience with a particular space doesn’t have to begin and end with their stay. The idea of the Brand Playlist is to be a public brand playlists designed to engage the customers before, during, and after their visit at a space. It’s always accessible for them and serves as a new, dynamic marketing channel.

The Soundtrack is slightly different. It takes sometimes up to weeks of work and is designed by a world-class artist, DJ, or tastemaker. For it we first work with you to develop a deep understanding of your business and style. Then we match you with the perfect artist, DJ, or tastemaker to create unique, always fresh playlists, custom tailored to match your brand. 

In both cases, we update them regularly based on guest habits and clients’ needs. 

People in beta Clay Bassford Bespoke Sound

The way we engage with the music community is something really important for us and honestly, what makes us different than other background music providers. A lot of the background music providers out there have internal teams of maybe five or six DJs that do all of the music for their clients. We aim to connect with the local scene and always work with local DJs. There's some kind of magic in finding the exact right artists for the brand.

And on the flip side of it, when we hire artists, we make sure that the project is also inspiring for them and that they would be interested in participating. We always make sure to pay them well. The whole project creates for them a new income stream that they wouldn't have otherwise.

People in beta Clay Bassford Bespoke Sound

Yes! This was really fun. The objective with the betahaus "betabeer sounds" playlist was to showcase the community side of betahaus. There are so many cool, interesting people in the betahaus community and we thought a playlist could be a perfect way to not only help bring the community together but also show the diverse funkiness of the communities of Berlin and Neukölln, which is why Hazy Pockets, a longtime local Berlin DJ known for his eclectic mixes, was perfect for this project.

This playlist moves from bluesy 60s rock into surf and tropicalia, picking up momentum into Motown and onwards through some laid back disco tunes. Perfect for the betabeer events betahaus hosts monthly!


Oh, there are just so many! Like the Imren Grill for instance where you can find the best homemade Turkish food or Das Gift and Gordon which are both run by great music people. Kohelenquelle in Prenzleuer Berg is my favorite local bar (or rather kneipe). To satisfy my  techno / electronic records needs I always go to Hard Wax and one of my most special places is the Zions Kirche steeple, which has an awesome view of the city and a great Weinerei close by. 

You can see me around betahaus. Online, you can always check out my website and listen to our public playlists on Spotify. We’re also currently working on a collaboration with betahaus, so a special Playlist curated by is will very soon sound around the spaces in Kreuzberg and Neukölln. 


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